Society of Dance History Scholars

Home
About SDHS
Membership
Conferences
Awards
Working Groups
Publications
Books by Members
Online Resources
Members Only
Contact Us
Site Index

2004 Society of Dance History Scholars Conference
Twenty-Seventh Annual Conference
Duke University
Durham, North Carolina
17-20 June 2004

2005 Society of Dance History Scholars Conference
Twenty-Eight Annual Conference
Northwestern University
Evanston, Illinois
9-12 June 2005

CONTENTS OF PROCEEDINGS

Susan C. Cook, Compiler

Duke University: 17-24 June 2004

  1. Claudia Gitelman Dancing with the GI Bill
  2. Kimiko Okamoto Discord within Organic Unity: Phrasal Relations between Music and Choreography in Early Eighteenth-Century French Dance
  3. Grainne McArdle Dance in Dublin Theatres 1729-35
  4. Vida Midgelow Queer Insertions: Javier de Frutos and the Erotic
  5. Melissa Blanco Borelli Becomings and Belongings: Lucy Guerin's The Ends of Things
  6. Jill Nunes Jensen Beyond the Marley: Theorizing Ballet Studio Spaces as Spheres Not Mirrors
  7. Geraldine Morris Exploring Ashton's Stravinsky Dances: How Research Can Inform Today’s Dancers
  8. E.F. Winerock Dance References in the Records of Early English Drama: Alternative Sources for Non-Courtly Dancing, 1500-1650
  9. David Wilson Regional Traditions in the French Basse Dance
  10. Cynthia Bond Perry Valerie Bettis: Finding Form in The Desperate Heart
  11. Jonette Lancos Japanese Floating World: The Influence of Ukiyo-e on Early Modern Dance 1890-1930
  12. Judith Brin Ingber "I Wouldn't Cross the Street to See That": Modern Dancers Who Survived the Holocaust in America
  13. Juan Ann Tai Paul Taylor's Influence on the Development of Dance in Taiwan
  14. Barbara Dickinson Walking Miracles: A Process Narrative of an Original Dance/Theater Work Created from Stories Told by Six Survivors of Child Sexual Abuse
  15. Andrea Mantell-Seidel Encounters across Cultures and Communities: El Groupo Cultural Uk'Ux Pop Wuj de Maya and the Isadora Duncan Dance Ensemble
  16. Hannah Kosstrin Dance in Another Dimension: Investigating Lois Greenfield's Photography

    17. Northwestern University: 9-12 June 2005

  17. Joanna Bosse Performing Whiteness: An Ethnographic Case Study of Ballroom Dance in Central Illinois
  18. Wayne Heisler Jr. "Do You Know What You Saw?" Foreign Liquors and Jewish Matzos in Heinrich Kröller's and Richard Strauss's "Whipped Cream" Ballet
  19. Tamara Tomic-Vajagic Infinite Possibilities: The Use of Formal Elements as a Creative Contribution of Dancers in Performance of Nonrepresentational Ballet, with Specific Reference to Suzanne Farrell
  20. Annabel Rutherford The Invisible Dance: Oscar Wilde's Influence on the Creation of Serge Diaghilev's Ballets
  21. Ken Pierce Shepherd and Shepherdess Dances on the French Stage in the Early 18th Century
  22. Felicity Malloy, Debra Laub, and Philippe Campays Spacemaking: The Landscape of Our Experience
  23. Claude Conyers Katherine Dunham and the Movies, 1939-1964
  24. Linda Sears Carnal Glory: The Reinscription of the Gay Male in Dance History
  25. Carrie Gaiser The "Ruin" of Balanchine's La Valse
  26. Francie Johnson with Patricia Dye From the Belly of the Drum: Transmitting from the Cultural Center to the Body Through the Pedagogy of Chuck Davis and Katherine Dunham
  27. Terry Monaghan The Chicago and Harlem Savoy Ballrooms—Different Cultures—Different Fortunes
  28. Bridget E. Cauthery Zab Maboungou: Trance and Locating Other
  29. Hema Rajagopalan and Bill Jordan Centering the Classical Dance of India in the Body and the World
  30. Melissa Teodoro The Displacement of Cumbia's Center: From Religious Processions, to Social Circle Dances, to Urban Carnival Parades
  31. Vida Midgelow Postfeminist Corporealities and the Choroegraphy of La Ribot
  32. Isabel Valverde Interfacing Dance and Technology: Towards a Posthuman
  33. M. Candace Feck Inverse Contextualization: Writing about Dance form the Inside Out
  34. Susan Tenneriello Allegory, Parody, and a Taste for the Undesirable in Jean-Philippe Rameau's Platée: Poor "Thing," Why Aren't You Laughing?
  35. Elizabeth Drake-Boyt Upside Down and Inside Out: Ted Shawn's Gnossienne as Avant-garde Art
  36. Sherrie Barr Finding the Margin in the Center: The Dance Sensibility of Peter DiMuro
  37. Diane Wawrejko Re-Centring the Centre: Nagrin's Experiments in Interactive Improvisation

  

HOME | ABOUT SDHS | MEMBERSHIP | CONFERENCES | AWARDS | WORKING GROUPS | PUBLICATIONS | BOOKS BY SDHS MEMBERS | ONLINE RESOURCES | FOR MEMBERS ONLY | CONTACT US | SITE INDEX

Last updated 25 July 2008
Contacts: Editorial comments | Technical difficulties