Books By Members

The Society of Dance History Scholars is proud to claim among its members many authors and editors of outstanding books in dance history and related fields. In accordance with the society’s aims of promoting study and research, this bibliography of works by SDHS members is provided for the benefit of all readers interested in dance history.

A bracketed link at the end of an entry indicates that more information on the work is available on the Amazon Web site and that it can be ordered directly from Amazon.com. As a member of the Amazon associates program, SDHS benefits from purchases made by clicking the Amazon banner below.

Most entries in this bibliography are for books currently in print. However, some out-of-print works of particular interest are listed, as used copies can often be located on Amazon.com or other Web sites.

Janet Adshead-Lansdale: The Struggle with the Angel: A Poetics of Lloyd Newson's Strange Fish. Hants: Dance Books, 2007. [More information]
Editor. Decentring Dancing Texts: The Challenge of Interpreting Dances. Hants: Palgrave, 2008. [More information]

Ann Cooper Albright

Choreographing Difference: The Body and Identity in Contemporary Dance. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 1997. [More information]

Coeditor, with Ann Dils. Moving History / Dancing Cultures: A Dance History Reader. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 2001. [More information]

Coeditor, with David Gere. Taken By Surprise: A Dance Improvisation Reader. Middletown, CT: Wesleyan University Press, 2003. [More information]

Traces of Light: Absence and Presence in the Work of Loie Fuller. Middletown, CT: Wesleyan University Press, 2007. [More information]

Elizabeth Aldrich: From the Ballroom to Hell: Grace and Folly in Nineteenth-Century Dance. Evanston, Ill.: Northwestern University Press, 1991. [More information]
Coauthor of commentaries, with Sandra Noll Hammond and Armand Russell. The Extraordinary "Dance Book T B. 1826": An Anonymous Manuscript in Facsimile. Hillsdale, N.Y.: Pendragon Press, 2000. [More information]

Irene Alm: Catalog of Venetian Librettos at the University of California, Los Angeles. Berkeley and Los Angeles: University of California Press, 1993. [More information]
Coeditor, with Alyson McLamore. Musica Franca: Essays in Honor of Frank D’Accone. Hillsdale, N.Y.: Pendragon Press, 1996. [More information]

Mindy Aloff: Hippo in a Tutu: Dancing in Disney Animation. New York: Disney Editions, 2009. [More information]

Judith B. Alter: Dance-Based Dance Theory: From Borrowed Models to Dance-Based Experience. New York: Peter Lang, 1991. [More information]
Dancing and Mixed Media: Early Twentieth-Century Modern Dance Theory in Text and Photography. New York: Peter Lang, 1996. [More information]

Christophe Apprill: Tango. Le couple, le bal et la scène. Paris: Editions Autrement, 2008.

Melanie Bales: Coeditor, with Rebecca Nettl-Fiol. The Body Eclectic: Evolving Practices in Dance Training. Urbana and Chicago: University of Illinois Press, 2008. [More information]

Sally Banes

Terpsichore in Sneakers: Post-Modern Dance. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 1987. [More information]

Democracy’s Body: Judson Dance Theater, 1962–1964. Ann Arbor, Mich.: UMI Research Press, 1983. [More information]

Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body. Durham, N.C., and London: Duke University Press, 1993. [More information]

Writing Dance in the Age of Postmodernism. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 1994. [More information]

Dancing Women: Female Bodies on Stage. London and New York: Routledge, 1998. [More information]

Subversive Expectations: Performance Art and Paratheater in New York, 1976–85. Ann Arbor: University of Michigan Press, 1998. [More information]

Barbara Barker: Ballet or Ballyhoo. Hightstown, N.J.: Princeton Book Company, 1984. [More information]
Editor. Bolossy Kiralfy, Creator of Great Musical Spectacles: An Autobiography. Ann Arbor, Mich.: UMI Research Press, 1988. [More information]

Judith Chazin Bennahum

Dance in the Shadow of the Guillotine. Carbondale: Southern Illinois University Press, l988. [More information]

The Ballets of Antony Tudor: Studies in Psyche and Satire. New York, London: Oxford University Press, 1994. [More information]

Editor. The Living Dance: An Anthology of Essays on Movement and Culture. Dubuque: Kendall/Hunt, 2003. [More information]

The Lure of Perfection: The Culture of Fashion and Ballet, 1780-1830. (2001) New York and London: Routledge, 2004. [More information]

Editor. Teaching Dance Studies. New York and London: Routledge, 2005. [More information]

Ninotchka Devorah Bennahum: Antonia Mercé, La Argentina: Flamenco and the Spanish Avant Garde. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 2000. [More information]

Valerie A. Briginshaw: Dance, Space, and Subjectivity. Basingstoke, Hamps., and New York: Palgrave, 2001. [More information]

Virginia Brooks: Director. The Nutcracker Family: Behind the Magic. 2006.DVD (NTSC, Region free) TRT 94:00 [More information]
Director. Felia Doubrovska Remembered: From Diaghilev's Ballets Russes to Balanchine's School of American Ballet. 2008. DVD (NTSC, Region free) TRT 36:11 [More information]

Bruce Alan Brown: Coeditor, with Rebecca Harris-Warrick. The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and his World. Madison, Wisconsin: University of Wisconsin Press, 2005. More information]

Barbara Browning: Samba: Resistance in Motion. Bloomington: Indiana University Press, 1995. [More information]
Infectious Rhythm: Metaphors of Contagion and the Spread of African Culture. London and New York: Routledge, 1998. [More information]

Theresa Jill Buckland: Editor. Dance in the Field: Theory, Methods, and Issues in Dance Ethnography. New York: St. Martin’s Press, 1999. [More information]

Ramsay Burt: The Male Dancer: Bodies, Spectacle, Sexualities. London and New York: Routledge, 1995. [More information]
Alien Bodies: Representations of Modernity, "Race," and Nation in Early Modern Dance. London and New York: Routledge, 1998. [More information]

Noël Carroll

A Philosophy of Mass Art. New York and Oxford: Oxford University Press, 1998. [More information]

Interpreting the Moving Image. Cambridge Studies in Film. Cambridge and New York: Cambridge University Press, 1998. [More information]

Editor. Theories of Art Today. Madison: University of Wisconsin Press, 2000. [More information]

Beyond Aesthetics: Philosophical Essays. Cambridge and New York: Cambridge University Press, 2001. [More information]

Living in an Art World. London and New York: Routledge, 2001. [More information]

Alexandra Carter: Editor. The Routledge Dance Studies Reader. London and New York: Routledge, 1998. [More information]
: Editor. Rethinking Dance History A Reader. London and New York: Routledge, 2004. [More information]

Dance and Dancers in the Victorian and Edwardian Music Hall Ballet. Aldershot: Ashgate, 2005. [More information]

James P. Cassaro: Gaetano Donizetti: A Guide to Research. Composer Resource Manuals, vol. 51. New York: Garland, 2000. [More information]
: Music, Libraries, and the Academy: Essays in Honor of Lenore Coral. Middleton, WI: A-R Editions, 2007. [More information]

Francesca Castaldi: Choreographies of African Identities: Négritude, Dance, and the National Ballet of Senegal. Urbana and Chicago: University of Illinois Press, 2006. [More information]

Renata Celichowska: The Erick Hawkins Modern Dance Technique. Princeton: Princeton Book Company Publishers, Inc., 2000. [More information]
: Editor and Introduction. Seven Statements of Survival: Conversations with Dance Professionals. New York, Dance & Movement Press, Rosen Book Works, LLC, 2008. [More information]

Pallabi Chakravorty: Bells of Change: Kathak Dance, Women, and Modernity in India. Calcutta/London: Seagull/Macmillan, 2008. [More information]

Selma Jeanne Cohen

Editor. The Modern Dance: Seven Statements of Belief. Middletown, Conn.: Wesleyan University Press, 1969. [More information]

Editor and commentator. Dance as a Theatre Art: Source Readings in Dance History from 1581 to the Present. 2d ed. With a new section by Katy Matheson. Hightstown, N.J.: Princeton Book Company, 1992.

Founding editor, for Dance Perspectives Foundation. International Encyclopedia of Dance. 6 volumes. New York and Oxford: Oxford University Press, 1998. [More information]

Barbara Naomi Cohen-Stratyner

Taking the Pledge and Other Public Amusements. Performing Arts Resources, vol. 16. New York: Theatre Library Assn., 1991. [More information]

As Barbara Stratyner. Ned Wayburn and the Dance Routine: From Vaudeville to the "Ziegfeld Follies." Studies in Dance History, no. 13. Society of Dance History Scholars, 1996. [More information]

Coauthor, with Alice C. Hudson. Heading West / Touring West: Mapmakers, Performing Artists, and the American Frontier. New York Public Library, 2001. [More information]

Susan C. Cook

Coauthor, with Thomasin K. LaMay. Virtuose in Italy, 1600–1640: A Reference Guide. New York: Garland, 1984. [More information]

Opera for a New Republic: The Zeitopern of Krenek, Weill, and Hindemith. Studies in Musicology, no. 96. Ann Arbor, Mich.: UMI Research Press, 1988. [More information]

Coeditor, with Judy S. Tsou. Cecilia Reclaimed: Feminist Perspectives on Gender and Music. Urbana: University of Illinois Press, 1994. [More information]

Roger Copeland: What Is Dance?: Readings in Theory and Criticism. New York and Oxford: Oxford University Press, 1983. [More information]

Katherine Cornell: Coauthor, with Nadine Saxton. Toronto Dance Theatre, 1968-1998: Stages in a Journey. Toronto: Captus Press, 1998. [More information]

Tome' Cousin
The Total Theater Artist and New Media Performance: New Media Artist Performance Interviews. Germay: Lambert Academic Publishing, 2010. [More information]
Robert P. Crease: The Play of Nature: Experimentation as Performance. Indiana Series in the Philosophy of Technology. Bloomington: Indiana University Press, 1993. [More information]

Ann Daly: Done into Dance: Isadora Duncan in America. Bloomington: Indiana University Press, 1995. [More information]
Critical Gestures: Writings on Dance and Culture. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 2002. [More information]

Yvonne Daniel: Dancing Wisdom: Embodied Knowledge in Haitian Vodou, Cuban Yoruba, and Bahian Candomblé. Urbana: University of Illinois Press, 2005. [More information]

Thomas F. DeFrantz: Dancing Revelations: Alvin Ailey's Embodiment of African American Culture. New York: Oxford University Press, 2004. [More information]
: Editor. Dancing Many Drums: Excavations in African American Dance. Studies in Dance History, no. 19. Madison: University of Wisconsin Press, 2002. [More information]

Jane C. Desmond

Meaning in Motion: New Cultural Studies of Dance. Durham, N.C.: Duke University Press, 1997. [More information]

Staging Tourism: Bodies on Display from Waikiki to Sea World. University of Chicago Press, 1999. [More information]

Editor. Dancing Desires: Choreographing Sexualities on and off the Stage. Studies in Dance History, no. 18. Madison: University of Wisconsin Press, 2001. [More information]

Sherril Dodds: Dance on Screen: Genres and Media from Hollywood to Experimental Art. Basingstoke and New York: Palgrave, 2004. [More information]

Lisa Doolittle: Coeditor, with Anne Flynn. Dancing Bodies, Living Histories: New Writings about Dance and Culture. Banff, Alb.: Banff Centre Press, 2000. [More information]

George Dorris: Editor. The Royal Swedish Ballet, 1773–1998. Hightstown, N.J.: Princeton Book Company, 1999. [More information]

Elizabeth Drake-Boyt: Dance as a Project of the Early Modern Avant-Garde. German: VDM Publishing, 2008. [More information]

R. Chamberlain Duerden: The Choreography of Antony Tudor: Focus on Four Ballets. New Jersey: Associated University Presses, 2003. [More information]

Mary E. Edsall: Editor. A Core Collection in Dance. American Library Association, 2002. [More information]

Rose Eichenbaum: Masters of Movement: Portraits of America's Great Choreographers. Washington DC: Smithsonian Books, 2004. [More information]
: The Dancer Within: Intimate Conversations with Great Dancers. Middletown, CT: Wesleyan University Press, 2008. [More information]

Karen Eliot: Dancing Lives: Five Female Dancers from the Ballet d'Action to Merce Cunningham. Urbana and Chicago: University of Illinois Press, 2007. [More information]

Molly Engelhardt

Dancing out of Line: Ballrooms, Ballets, and Mobility in Victorian Fiction and Culture. Athens: Ohio University Press, 2009. [More information]

Joan L. Erdman

Patrons and Performers in Rajasthan: The Subtle Tradition. Columbia, Mo.: South Asia Books, 1985. [More information]

Editor, as Joan Landy Erdman. Arts Patronage in India: Methods, Motives, and Markets. Columbia, Mo.: South Asia Books, 1992. [More information]

Coauthor, with Karine Schomer and Deryck O. Lodrick. The Idea of Rajasthan: Explorations in Regional Identity. Columbia, Mo.: South Asia Books, 1994. [More information]

Barbara Milberg Fisher: In Balanchine's Company: A Dancer's Memoir. Middletown, CT: Wesleyan University Press, 2006. [More information]

Jennifer Fisher: Nutcracker Nation: How an Old World Ballet Became a Christmas Tradition in the New World. New Haven, Yale University Press, 2003. [More information]

Anne Flynn: Coeditor, with Lisa Doolittle. Dancing Bodies, Living Histories: New Writings about Dance and Culture. Banff, Alb.: Banff Centre Press, 2000. [More information]

Sylvie Fortin: Danse et santé: Du corps intime au corps social. Québec: Presses de l'Université du Québec, 2008.

Susan Leigh Foster

Reading Dancing: Bodies and Subjects in Contemporary American Dance. Berkeley: University of California Press, 1986. [More information]

Editor. Corporealities: Body, Knowledge, Culture, and Power. London: Routledge Press, 1995. [More information]

Editor. Choreographing History. Bloomington: University of Indiana Press, 1995. [More information]

Choreography and Narrative: Ballet's Staging of Story and Desire. Bloomington: Indiana University Press, 1996. [More information]

Dances That Describe Themselves: The Improvised Choreography of Richard Bull. Middletown: Wesleyan University Press, 2002. [More information]

Editor with Sue-Ellen Case and Philip Brett. Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality. Bloomington: University of Indiana Press, 1995. [More information]

Editor with Sue-Ellen Case and Philip Brett. De-composition. Bloomington: Indiana University Press, 2000.

Julia Foulkes: Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. Chapel Hill, NC: University of North Carolina Press, 2002. [More information]

Sondra Horton Fraleigh

Dance and the Lived Body: A Descriptive Aesthetics. University of Pittsburgh Press, 1996. [More information]

Dancing into Darkness: Butoh, Zen, and Japan. University of Pittsburgh Press, 1999. [More information]

Researching Dance: Evolving Modes of Inquiry. University of Pittsburgh Press, 1999. [More information]

Dancing Identity: Metaphysics in Motion. Pittsburgh: University of Pittsburgh Press, 2004. [More information]

Coauthor, with Tamah Nakamura. Hijikata Tatsumi and Ohno Kazuo. London: Routledge (in press).

Susanne Franco: Coeditor, with Marina Nordera. Dance Discourses: Keywords in Dance Research. London: Routledge, 2007.

Mark Franko

The Dancing Body in Renaissance Choreography (c. 1416-1589). Birmingham, AL: Summa Publications, 1986. [More information]

Dance as Text: Ideologies of the Baroque Body. Cambridge: Cambridge University Press, 1993. [More information]

Dancing Modernism/Performing Politics. Bloomington and Indianapolis: Indiana University Press, 1995. [More information]

Editor, with Annette Richards. Acting on the Past: Historical Performance Across the Disciplines. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 2000. [More information]

The Work of Dance: Labor, Movement, and Identity in the 1930s. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 2002. [More information]

Excursion for Miracles: Paul Sanasardo, Donya Feuer and Studio for Dance (1955-1964). Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 2005. [More information]

La danse comme texte: idéologies du corps baroque. Paris: Editions Kargo, 2005.

Editor. Ritual and Event: Interdisciplinary Perspectives. London: Routledge, 2006.

Plesati moderniaem/Uprizarjati politico. Trans. Alexandra Rekar. Ljubljana: En-Knap, 2006.

Sharon E. Friedler: Coeditor, with Susan B. Glazer. Dancing Female: Lives and Issues of Women in Contemporary Dance. Choreography and Dance Studies, vol. 12London and New York : Harwood/Routledge, 1997. [More information]

Lynn Garafola

Editor, trans., and introd. The Diaries of Marius Petipa. Studies in Dance History, 3, no. 1 (Spring 1992).

Diaghilev’s Ballets Russes. New York and Oxford: Oxford University Press, 1989. Reprint, Cambridge, Mass.: Da Capo Press, 1998. [More information]

Editor. Of, By, and For the People: Dancing on the Left in the 1930s. Studies in Dance History, no. 5.1. Society of Dance History Scholars, 1994. [More information]

Editor. Rethinking the Sylph: New Perspectives on the Romantic Ballet. Studies in Dance History, no. 14/15. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 1997. [More information]

Editor. José Limón: An Unfinished Memoir. Introduction by Deborah Jowitt, foreword by Carla Maxwell, afterword by Norton Owen. Studies in Dance History, no. 17. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 1999. [More information]

Coeditor, with Eric Foner. Dance for a City: Fifty Years of the New York City Ballet. New York: Columbia University Press, 1999. [More information]

Coeditor, with Nancy Van Norman Baer. The Ballets Russes and Its World. New Haven: Yale University Press, 1999. [More information]

Legacies of Twentieth-Century Dance. Middletown: Wesleyan University Press, 2005. [More information]

Anne-Marie Gaston

Siva in Dance, Myth, and Iconography. Oxford University South Asian Studies. Delhi and New York: Oxford University Press, 1985. [More information]

Bharata Natyam: From Temple to Theatre. New Delhi: Manohar, 1996. [More information]

Krishna’s Musicians: Musicians and Music Making in the Temples of Nathdvara, Rajasthan. New Delhi: Manohar, 1997. [More information]

Beth Genné: The Making of a Choreographer: Ninette de Valois and "Bar aux Folies-Bergère. Studies in Dance History, no. 12. Society of Dance History Scholars, 1996. [More information]

Nadine George-Graves: The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940. New York: Palgrave Macmillan, 2000. [More information]

Ralph Giordano: Social Dancing in America A History and Reference Volume 1: Fair Terpsichore to the Ghost Dance, 1607-1900. Westport, CT: Greenwood Press, 2006. [More information]
: Social Dancing in America A History and Reference Volume 2: Lindy Hop to Hip Hop, 1901-2000. Westport, CT: Greenwood Press, 2006. [More information]
: Satan in the Dance Hall: The Rev. John Roach Straton, Social Dancing, and Morality in 1920s New York City. Lanham, MD: Scarecrow Press, 2008. [More information]

Claudia Gitelman

Dancing with Principle: Hanya Holm in Colorado, 1941–1983. Boulder: University Press of Colorado, 2001. [More information]

Liebe Hanya: Mary Wigman's Letters to Hanya Holm. Studies in Dance History, no. 20. Madison: University of Wisconsin Press, 2003. [More information]

Coeditor, with Randy Martin. The Returns of Alwin Nikolais: Bodies, Boundaries, and the Dance Canon. Connecticut: Wesleyan University Press, 2007. [More information]

Moira Goff: The Incomparable Hester Santlow: A Dancer-Actress on the Georgian Stage. Aldershot: Ashgate, 2007. [More information]

Anita Gonzalez: Jarocho's Soul: Cultural Identity and Afro-Mexican Dance. Lanham, MD: University Press of America, 2004. [More information]

Janet Goodridge: Rhythm and Timing of Movement in Performance: Drama, Dance, and Ceremony. London: Jessica Kingsley Publishers, 1999. [More information]

Brenda Dixon Gottschild

Digging the Africanist Presence in American Performance: Dance and Other Contexts. Westport, Conn.: Greenwood Press, 1996. Reprinted, Westport, Conn.: Greenwood Press, 1998. [More information]

Waltzing in the Dark: African American Vaudeville and Race Politics in the Swing Era. New York: St. Martins Press, 2000. Reprinted, New York: St. Martins Press, 2002. [More information]

The Black Dancing Body: A Geography from Coon to Cool. New York: Palgrave-Macmillan, 2003. Reprinted, New York: Palgrave-Macmillan, 2005. [More information]

Ellen Graff: Stepping Left: Dance and Politics in New York City, 1928–1942. Durham, N.C.: Duke University Press, 1997. [More information]

Joyce Greenberg: Coauthor, with Dorothy Bird. Bird’s Eye View: Dancing with Martha Graham and on Broadway. University of Pittsburgh Press, 1997. [More information]

Ann Hutchinson Guest

Labanotation: The System of Analyzing and Recording Movement. 3d ed. London and New York: Routledge, 1987. [More information]

Choreographics: A Comparison of Dance Notation Systems from the Fifteenth Century to the Present. London and New York: Routledge, 1989. [More information]

Coauthor, with Claudia Jeschke. Nijinsky’s "Faune" Restored: A Study of Vaslav Nijinsky’s 1915 Dance Score "L’Après-midi d’un Faune" and His Dance Notation System. London and New York: Routledge, 1991. [More information]

Compiler. Dancer’s Glancer: A Quick Guide to Labanotation, the Method of Recording All Movement. London and New York: Routledge, 1992. [More information]

Ivor Forbes Guest

Fanny Elssler. London: A. & C. Black, 1970. [More information]

The Romantic Ballet in England: Its Development, Fulfillment, and Decline. Middletown, Conn.: Wesleyan University Press, 1972. [More information]

The Ballet of the Second Empire. London: Pitman Publishers, 1974. Middletown, Conn.: Wesleyan University Press, 1974. [More information]

Fanny Cerrito: The Life of a Romantic Ballerina. 2d rev. ed. London: Dance Books Ltd., 1974. [More information]

The Divine Virginia: A Biography of Virginia Zucchi. New York: Marcel Dekker, 1977. [More information]

Editor. Letters from a Ballet Master: The Correspondence of Arthur Saint-Léon. New York: Dance Horizons, 1981. [More information]

Adventures of a Ballet Historian: An Unfinished Memoir. Foreword by Mary Clarke, bibliography by Selma Landen Odom. New York: Dance Horizons, 1982. [More information]

Jules Perrot: Master of the Romantic Ballet. New York: Dance Horizons, 1984. [More information]

Editor and translator. Gautier on Dance, by Théophile Gautier. Hightstown, N.J.: Princeton Book Company, 1987. [More information]

Ballet in Leicester Square: The Alhambra and th Empire, 1860–1915. London: Dance Books Ltd., 1992. [More information]

The Ballet of the Enlightenment: The Establishment of the Ballet d’Action in France, 1770–1793. London: Dance Books Ltd., 1996. [More information]

Le ballet de l’Opéra de Paris: Trois siècles d’histoire et de tradition. 2d ed. Paris: Flammarion, 2001.

Ballet under Napoleon. London: Dance Books Ltd., 2002.

The Romantic Ballet in Paris. Exp. 3d ed. London: Dance Books Ltd., forthcoming.

Sandra Noll Hammond

Ballet: Beyond the Basics. Mayfield, 1982. [More information]

Ballet Basics. 4^th ed. Mayfield, 1999. [More information]

Coauthor of commentaries, with Elizabeth Aldrich and Armand Russell. The Extraordinary ‘Dance Book T B. 1826': An Anonymous Manuscript in Facsimile. Hillsdale, N.Y.: Pendragon Press, 2000. [More information]

Ballet Basics, Korean translation. Seoul, Korea: Eumaksekye, 2003.

Ballet Basics, 5^th edition. New York: McGraw-Hill, 2004. [More information]

Ballet Basics, Finnish translation as Piruetti, Baletin Perusteet. Helsinki, Finland: Art House Oy, 2006.

Judith Lynne Hanna

The Performer-Audience Connection: Emotion to Metaphor in Dance and Society. Austin: University of Texas Press, 1983. [More information]

To Dance Is Human: A Theory of Nonverbal Communication. University of Chicago Press, 1987. [More information]

Dance, Sex, and Gender: Signs of Identity, Dominance, Defiance, and Desire. University of Chicago Press, 1988. [More information]

Partnering Dance and Education: Intelligent Moves for Changing Times. Champaign, Ill.: Human Kinetics Publications, 1999. [More information]

Dancing for Health: Conquering and Preventing Stress. Lanham, MD: AltaMira Press, 2006. [More information]

Rebecca Harris-Warrick: Coauthor, with Carol G. Marsh. Musical Theatre at the Court of Louis XIV: Le Mariage de la Grosse Cathos. Cambridge Musical Texts and Monographs. Cambridge and New York: Cambridge University Press, 1994. [More information]
Coeditor, with Bruce Alan Brown. The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and his World. Madison, Wisconsin: University of Wisconsin Press, 2005. [More information]

Nancy G. Heller

Women Artists: An Illustrated History 4^th expanded and revised edition. New York: Abbeville Press, 1987, 1991, 1997, and 2004. [More information]

Coeditor, with Jules Heller. North American Women Artists of the 20th Century: A Biographical Dictionary. New York: Garland, 1995 and 1997. [More information]

Women Artists: Works from the National Museum of Women in the Arts. New York: Rizzoli International Publishers, 2000. [More information]

Why a Painting is Like a Pizza: A Guide to Understanding and Enjoying Modern Art. Princeton University Press, 2002. [More information]

Alice Helpern: Editor. Martha Graham. Volume 5, part 2, of Choreography and Dance: An International Journal. London and New York: Routledge, 1999. [More information]; The Technique of Martha Graham. Morgan & Morgan Press, 1994. [More information]

Doris Hering: Giselle and Albrecht: American Ballet Theatre’s Romantic Lovers. Performance photographs by Fred Fehl. New York: Dance Horizons, 1981. [More information]

Constance Valis Hill: Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers. Foreword by Gregory Hines. New York and Oxford: Oxford University Press, 2000. [More information]

Marian Horosko: Ballet Technique for the Male Dancer based on the teaching of Nikolai Ivanovich Tarasov. Garden City, NY: Doubleday & Company, Inc., 1985. [More information]; Dancer's Survival Manual. New York City: Harper and Row, 1985.; Sleeping Beauty: The Ballet Story (for children). New York City: Harper & Row, 1985. [More information]; Martha Graham: The Evolution of Her Theory and Dance Training, 1926-1991. Chicago: University of Chicago, 1991. [More information]; Pas de Deux based on the classes at the St. Petersburg Academy of Nikolai Serebrenikov, 2000 and in reprint, University Press of Florida/Gainesville. [More information]; Martha Graham: The Evolution of Her Theory and Dance Training. Revised edition. Gainesville: University Press of Florida, 2002. [More information]; May O'Donnell: Modern Dance Pioneer. Gainesville: University Press, of Florida, 2005. [More information]; Dancer's Survival Manual. Reprint. Gainesville: University Press of Florida, 2008.

Sydney Hutchinson: From Quebradita to Duranguense: Dance in Mexican Youth Culture. Tucson: University of Arizona Press, 2007. [More information]

Judith Brin Ingber: Victory Dances: The Story of Fred Berk, a Modern-Day Jewish Dancing Master. Tel Aviv: Israel Dance Library, 1985. Minneapolis: Emmett, 1985. [More information]
Editor. Jewish Dance, a special issue of Jewish Folklore and Ethnology Review 20 (Spring 2000). Arlington, Va.: American Folklore Society.

Naomi M. Jackson: Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y. Hanover, N.H., and London: University Press of New England, 2000. [More information]

Stephanie Jordan

Striding Out: Aspects of Contemporary and New Dance in Britain. London: Dance Books Ltd., 1992. [More information]

Moving Music: Dialogues with Music in Twentieth-Century Ballet. Hightstown, N.J.: Princeton Book Company, 2000. [More information]

Coeditor, with Andrée Grau. Europe Dancing: Perspectives on Theatre Dance and Cultural Identity. London and New York: Routledge, 2000. [More information]

Editor. Preservation Politics: Dance Revived, Reconstructed, Remade. Hightstown, N.J.: Princeton Book Company, 2001. [More information]

Deborah Jowitt

Time and the Dancing Image. Berkeley and Los Angeles: University of California Press, 1989. [More information]

Editor. Meredith Monk. Baltimore: Johns Hopkins University Press, 1997. [More information]

Coauthor. Not Just Any Body: Advancing Health, Well-being, and Excellence in Dance and Dancers. Owen Sound, Ont.: The Ginger Press, 2001. [More information]

Adrienne L. Kaeppler: Hula Pahu: Hawaiian Drum Dances: Ha’A and Hula Pahu: Sacred Movements. Bishop Museum Bulletin in Anthropology, no. 3. Honolulu: Bishop Museum Press, 1993. [More information]
: Coeditor, with Jacob W. Love. Garland Encyclopedia of World Music, volume 9: Australia and the Pacific Islands. New York: Garland, 1998. [More information]
: Coeditor, with Amy Henderson. Exhibiting Dilemmas: Issues of Representation at the Smithsonian. Washington, D.C.: Smithsonian Institution Press, 2000. [More information]
: Coeditor, with Elsie Ivancich Dunin. Dance Structures: Perspectives on the Analysis of Human Movement. Szeged, Hungary: Institute for Musicology of the Hungarian Academy of Sciences and Department of Ethnology and Cultural Anthropology, University of Szeged.

Kate Van Winkle Keller: Coeditor, with Genevieve Shimer. The Playford Ball, 103 Early English Country Dances, 1651-1820, as interpreted by Cecil Sharp and his Followers. Pennington, NJ: A Cappella Press, 1990. Also published in Studies in Dance History, 1/2 (Spring/Summer 1990). 2nd edition, Northampton: Country Dance and Song Society, 1994. [More information]
: Dance and Its Music in America, 1528-1789. Hillsdale: Pendragon Press, 2007. [More information]
: "If the Company can do it!" Technique in Eighteenth-Century American Social Dance. New York: Historical Dance Foundation, 1990. 3rd edition: Annapolis: Colonial Music Institute, 2007.

Katja Kolcio: Movable Pillars: Organizing Dance, 1956-1978. Middletown, CT: Wesleyan University Press, 2010. [More information]
Amy Koritz: Gendering Bodies / Performing Arts: Dance and Literature in Early Twentieth-Century British Culture. Ann Arbor: University of Michigan Press, 1995. [More information]

Anthea Kraut: Choreographing the Folk: The Dance Stagings of Zora Neale Hurston. Minneapolis: University of Minnesota Press, 2008.[More information]

Connie Kreemer: Further Steps: Fifteen Choreographers on Modern Dance. New York: Harper & Row, Inc., 1987. [More information]

Further Steps 2: Fourteen Choreographers on What's the RAGE in Dance. New York and London: Routledge, 2008. [More information]

Sali Ann Kriegsman: Modern Dance in America: The Bennington Years. Boston, MA: G.K. Hall & Co., 1981. [More information]

Kimerer LaMothe: Between Dancing and Writing: The Practice of Religious Studies. New York: Fordham University Press, November 2004. [More information]
Nietzsche's Dancers: Isadora Duncan, Martha Graham, and the Revaluation of Christian Values. New York: Palgrave/Macmillan Press, February 2006. [More information]

Janet Adshead Lansdale: Coeditor, with June Layson. Dance History: An Introduction. 2d ed. London and New York: Routledge, 1994. [More information]
Editor. Dancing Texts: Intertexuality in Interpretation. Hightstown, N.J.: Princeton Book Company, 2000. [More information]

Pierre Lapointe: Trois danseurs intrépides: Montréal, 1940 et 1950. Montreal: Éditions F. Breton, 1999.

Carol Lee: Ballet in Western Culture: A History of Its Origins and Evolution. Boston: Allyn & Bacon, 1999, Second Edition Routledge, 2002.. [More information]

Dawn Lille: As Dawn Lille Horwitz. Michel Fokine. New York: Twayne, 1985. [More information]

Allana Lindgren: From Automatism to Modern Dance: Francoise Sullivan with Franziska Boas in New York. Toronto: Dance Collection Danse Press/es, 2003. [More information]

Richard A. Long: Afro-American Writing: An Anthology of Poetry and Prose. University Park: Pennsylvania State University Press, 1985. [More information]
: The Black Tradition in American Dance. Photographs selected and annotated by Joe Nash. New York: Rizzoli, 1989. London: Prion, 1995. [More information]
: African Americans: A Portrait. Foreword by Maya Angelou. New York: Crescent Books, 1993. [More information]
: Grown Deep: Essays on the Harlem Renaissance. Winter Park, FL: Four-G Publishers, 1998. [More information]
: One More Time: Harlem Renaissance History & Historicism. Elizabeth, NJ: The FIRE!! Press, 2006. [More information]

Alessandra Lopez y Royo

Editor, as Alessandra Iyer. South Asian Dance: The British Experience. London and New York: Harwood/Routledge, 1997. [More information]

As Alessandra Iyer. Prambanan: Sculpture and Dance in Ancient Java; A Study in Dance Iconography. Bangkok: White Lotus, 1998. [More information]

Editor, as Alessandra Iyer. Indonesian Performing Arts: Tradition in Transition. Special issue, Contemporary Theatre Review 11.1&2. London and New York: Harwood/Routledge, 2001.

Julie Malnig: Dancing till Dawn: A Century of Exhibition Ballroom Dance. Westport, Conn.: Greenwood, 1992. [More information]

Susan A. Manning: Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman. Berkeley and Los Angeles: University of California Press, 1993. [More information]
Modern Dance, Negro Dance: Race in Motion. Minneapolis: University of Minnesota Press, 2004.

Carol G. Marsh: Coauthor, with Rebecca Harris-Warrick. Musical Theatre at the Court of Louis XIV: Le Mariage de la Grosse Cathos. Cambridge Musical Texts and Monographs. Cambridge and New York: Cambridge University Press, 1994. [More information]

Carol Martin

Dance Marathons: Performing American Culture of the 1920s and 1930s. Foreword by Brooks McNamara. Jackson: University Press of Mississippi, 1994. [More information]

Editor. A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. London and New York: Routledge, 1996. [More information]

Coeditor, with Henry Bial. Bertolt Brecht: A Critical Anthology. London and New York: Routledge, 2000. [More information]

Randy Martin: Performance as Political Act: The Embodied Self. "Critical Perspectives in Social Theory" series of Bergin and Garvey Publishers/Greenwood Press. January, 1990. [More information]
: Editor, with Michael E. Brown, Frank Rosengarten, and George Snedeker. New Studies in the Politics and Culture of U.S. Communism. Monthly Review Press, 1993. [More information]
: Socialist Ensembles: Theater and State in Cuba and Nicaragua. Cultural Politics Series. Minneapolis: University of Minnesota Press, 1994. [More information]
: Critical Moves: Dance Studies in Theory and Politics. Durham and London: Duke University Press, 1998. [More information]
: Editor. Chalk Lines: The Politics of Work in the Managed University.ÊDurham and London:ÊDuke University Press, 1999. [More information]
: Coeditor, with Toby Miller. SportCult. Minneapolis: University of Minnesota Press, 1999. [More information]
: On Your Marx: Relinking Socialism and the Left. Minneapolis: University of Minnesota Press, 2001. [More information]
: Financialization of Daily Life. Labor in Crisis Series. Philadelphia: Temple University Press, 2002. [More information]
: Coeditor, with Mary Schmidt Campbell. Artistic Citizenship: A Public Voice for the Arts. New York: Routledge, 2006. [More information]
: Coeditor, with Claudia Gitelman. The Returns of Alwin Nikolais: Bodies, Boundaries, and the Dance Canon. Connecticut: Wesleyan University Press, 2007. [More information]
: An Empire of Indifference: American War and the Financial Logic of Risk Management. Social Text Books, Duke University Press, 2007. [More information]

Francis Mason: Coauthor, with George Balanchine. 101 Stories of the Great Ballets. Reissue ed. Garden City, N.Y.: Doubleday, 1975. [More information]
Compiler. I Remember Balanchine: Recollections of the Ballet Master by Those Who Knew Him. Garden City, N.Y.: Doubleday, 1991. [More information]

Juliet McMains: Glamour Addiction: Inside the American Ballroom Dance Industry. Middletown, CT: Wesleyan University Press, 2006. [More information]

Elizabeth McPherson: The Contributions of Martha Hill to American Dance and Dance Education, 1900-1995. Lewiston, NY: The Edwin Mellen Press, 2008. [More information]

Moe Meyer: Editor. The Politics and Poetics of Camp. London and New York: Routledge, 1994. [More information]

Judith Milhous: Coauthor, with Curtis Alexander Price and Robert D. Hume. Italian Opera in Late Eighteenth- Century London, volume 1, The King’s Theatre, Haymarket, 1778–1791. Oxford: Clarendon Press, 2001. [More information]
Coauthor, with Gabriella Dideriksen and Robert D. Hume. Italian Opera in Late Eighteenth- Century London, volume 2: The Pantheon Opera and Its Aftermath, 1789–1795. Oxford and New York: Oxford University Press, 2001. [More information]

Nèlida Monés Mestre

Editor. I JORNADAS DE DANZA E INVESTIGACIÓN, Los libros de danza s.l, FEAPD, Ministerio de Cultura, ISBN 84-607-1672-4

Editor. II JORNADAS DE DANZA E INVESTIGACIÓN, Los libros de danza s.l, FEADP,Ministerio de Cultura, December 2000, Barcelona

Editor. III JORNDAS DE DANZA E INVESTIGACI*Oacute;N, Los libros de danza s.l, March 2003,FEADP, Ministerio de Cultura, Barcelona, ISBN 84-607-2365-8

Joyce Morgenroth: Speaking of Dance: Twelve Contemporary Choreographers on Their Craft. London and New York: Routledge, 2004. [More information]
: Dance Improvisations. University of Pittsburgh Press, 1987. [More information]

Gay Morris: A Game for Dancers: Performing Modernism in the Postwar Years, 1945-1960. Middletown: Wesleyan University Press, 2006. [More information]

Jacqueline Shea Murphy: Coeditor, with Ellen W. Goellner. Bodies of the Text: Dance as Theory, Literature as Dance. New Brunswick, N.J.: Rutgers University Press, 1995. [More information]
: The People Have Never Stopped Dancing: Native American Modern Dance Histories. Minneapolis: University of Minnesota Press, 2007. [More information]

Sally Ann Ness: Coeditor, with Carrie Noland. Migrations of Gesture. Minneapolis: University of Minnesota Press, 2008. [More information]

Jennifer Nevile: The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy. Bloomington: Indiana University Press, 2004. [More information]
: Editor. Dance, Spectacle, and the Body Politick, 1250-1750. Bloomington: Indiana University Press, 2008. [More information]

Mary Anne Santos Newhall: Mary Wigman. New York and London: Routledge, 2008.

Larraine Nicholas: Dancing in Utopia: Dartington Hall and its Dancers. Alton, Hampshire: Dance Books, 2007. [More information]

Marina Nordera: Coeditor, with Susanne Franco. Dance Discourses: Keywords in Dance Research. London: Routledge, 2007.

Selma Odom: Coeditor, with Mary Jane Warner. Canadian Dance: Visions and Stories. Toronto: Dance Collection Danse, 2004.

Flavia Pappacena

Tecnica della danza classica. La coordinazione. Roma: Gremese, 1985 (2. ed.: 1993).

Tecnica della danza classica. L'impostazione. Roma: Gremese, 1986 (2. ed.: 1993).

Editor. Complete Manual of Classical Dance: Enrico Cecchetti Method. Introduction by Grazioso Cecchetti. Rome: Gremese Editore, 1998. [More information]

Editor. Excelsior: Documenti e Saggi / Documents and Essays. Rome: Di Giacomo Editore, 1998.

Tecnica della danza classica, il ritmo, Roma. Gremese: 1988. [More information]

Coauthor, with Marina Gendel. Musiche per l'accompagnamento della lezione di danza, I, II e III corso di Tecnica accademica, n. monografico di Chorégraphie, Studi e ricerche sulla danza. Roma: Di Giacomo. 1995.

Editor. Cecchetti, Grazioso, Classical Dance. A Complete Manual of the Cecchetti Method, 2 voll. Rome: Gremese, 1997, 1998. Italian edition: Manuale completo di danza classica, metodo E. Cecchetti, 2 voll. Roma: Gremese, 1995, 1997 (2. ed., PBA: 2002, 2003). French edition: La danse classique, Manuel complet de la Méthode Cecchetti, 2 voll. Rome: Gremese, 1997, 1998 (2. ed., PBA: 2005, 2006).

General Editor. Albano Roberta, Scafidi Nadia, Zambon Rita, La Danza in Italia, Roma, Gremese 1998. French edition: Le Ballet en Italie. Rome: Gremese 1998.

Teoria della danza classica, I vol. Posizioni, pose e ports de bras. Roma: Gremese, 2001 (2. ed. aggiornata e ampliata: 2003).

Teoria della danza classica, II vol. LÕanalisi anatomica dei movimenti. Roma: Gremese, 2002 (2. ed. aggiornata e ampliata Teoria della danza classica, Analisi strutturale-anatomica: 2005).

Excelsior. Documenti e saggi / Excelsior. Documents and Essays. Roma: Di Giacomo, 1998 (with VHS).

Ricostruzione della linea stilistica di Carlo Blasis. Roma: Meltemi, 2003.

Il Trattato di Danza di Carlo Blasis 1820-1830 / Carlo Blasis' Treatise on Dance 1820 Ð1830. Lucca: Libreria Musicale Italiana, 2005.

Arthur Saint-Léon, La Sténochorégraphie. Lucca: Libreria Musicale Italiana, 2006.

Editor. Blasis Charles, Traité de l'Art de la Danse, Texte établi par Flavia Pappacena. Rome: Gremese, 2007.

Coeditor, with A. Alberti. Vaganova, Agrippina, Le Basi della danza classica (translation of the 1948 Russian edition). Roma: Gremese, 2007.

Isa Partsch-Bergsohn: Modern Dance in Germany and the United States: Crosscurrents and Influences. Choreography and Dance Studies, vol. 5. London and New York: Harwood/Routledge, 1995. [More information]

Alice Patelson: Portrait of a Dancer, Memories of Balanchine: An Autobiography. New York: Vantage Press, 1995. [More information]

John O. Perpener III: African-American Concert Dance: The Harlem Renaissance and Beyond. Urbana: University of Illinois Press, 2001. [More information]

Frank-Manuel Peter: Valeska Gert, Tänzerin, Schauspielerin, Kabarettistin: Eine dokumentarische Biographie. Foreword by Volker Schlöndorff. Berlin: Hentrich, 1985 (2.ed.: 1987). [More information]
: Co-Author, with Hedwig Müller and Garnet Schuldt. Dore Hoyer, Tänzerin. Berlin: Hentrich 1992.
: Editor. Der Tänzer Harald Kreutzberg. Berlin: Hentrich, 1997.
: Editor. Birgit Åkesson. Post-Modern Dance from Sweden. (in English, German and Swedish). Köln/Cologne: Wienand, 1998. [More information]
: Editor. Isadora and Elizabeth Duncan in Germany. (in English and German). Köln/Cologne: Wienand, 2000.
: Editor. Etwas ganz Neues muss entstehen: Kurt Jooss und das Tanztheater, by Patricia Stöckemann. München/Munich: K. Kieser Verlag, 2001.
: Co-Editor, with Rainer Stamm. Die Sacharoffs. Two Dancers within the Blaue Reiter Circle. Köln/Cologne: Wienand, 2002
: Editor. Giselle ou Les Wilis: Ballet fantastique en deux actes. Faksimile der Notation von Henri Justamant aus den 1860er Jahren. Ergänzt durch Therese von Artner "Der Willi-Tanz. Eine slavische Volkssage" aus dem Jahr 1822. Hildesheim, Zürich, New York: OLMS, 2008.

Carol M. Press

The Dancing Self: Creativity, Modern Dance, Self Psychology and Transformative Education. Cresskill, NJ: Hampton Press, 2002. [More information]

Stephen D. Press

Prokofiev's Ballets for Diaghilev. London: Ashgate Publishers, Ltd, forthcoming, 2003. [More information]

Naima Prevots

Dancing in the Sun: Hollywood Choreographers, 1915–1937. Theater and Dramatic Studies, no. 44. Ann Arbor, Mich.: UMI Research Press, 1987. [More information]

American Pageantry: A Movement for Art and Democracy. Theater and Dramatic Studies, no. 61. Ann Arbor, Mich.: UMI Research Press, 1990. [More information]

Dance for Export: Cultural Diplomacy and the Cold War. Introduction by Eric Foner. Studies in Dance History, no. 16. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 1998. [More information]

Jane Pritchard: Les Ballets 1933. Exhibition catalog. Introduction by Nancy Lasselle. Saratoga Springs, N.Y.: National Museum of Dance, 1990. [More information]

Dee Reynolds: Rhythmic Subjects: Uses of Energy in the Dances of Mary Wigman, Martha Graham and Merce Cunningham. London: Dance Books, 2007. [More information]

Nancy Reynolds: Repertory in Review: Forty Years of the New York City Ballet. Introduction by Lincoln Kirstein. New York: Dial Press, 1977. [More information]
: The Dance Catalog: A Complete Guide to Today’s World of Dance. New York: Harmony Books, 1979. [More information]
: Coauthor, with Susan Reimer Torn. In Performance: A Companion to the Classics of the Dance. New York: Harmony Books, 1980. Reissued as Dance Classics: A Viewer’s Guide to the Best-Loved Ballets and Modern Dances. Chicago: A Capella Books, 1991. [More information]
: Research director. Choreography by George Balanchine: A Catalogue of Works. Edited by Harvey Simmonds. Rev. ed. New York: Viking Press, 1984. [More information]
: Coauthor, with Malcolm McCormick. No Fixed Points: Dance in the Twentieth Century. New Haven: Yale University Press, 2003. [More information]
: Editor. Remembering Lincoln. New York: Ballet Society, 2007. [More information]
: Editor. Choreography by George Balanchine: A Catalogue of Works (internet edition, revised and updated). New York: George Balanchine Foundation, 2008.

Frank W. D. Ries: The Dance Theatre of Jean Cocteau. Theatre and Dramatic Studies, no. 33. Ann Arbor, Mich.: UMI Research Press, 1986. [More information]

Marta Robertson: Coauthor, with Robin Armstrong. Aaron Copland: A Guide to Research. New York: Garland, 2000. [More information]

Janet Lynn Roseman: Beach Blanket Babylon: A Hats-Off Tribute to San Francisco’s Most Extraordinary Musical Revue. San Francisco: Chronicle Books, 1997. [More information]
: Dance Masters: Interviews with Legends of Dance. London and New York: Routledge, 2001. [More information]
: The Way of the Woman Writer. 2^nd edition. New York: The Haworth Press, 2003. [More information]
: Dance Was Her Religion: The Spiritual Choreography of Isadora Duncan, Ruth St. Denis and Martha Graham. Prescott, Arizona: Hohm Press, 2004. More information]

Janice Ross: Moving Lessons: Margaret H’Doubler and the Beginning of Dance in American Education. Madison: University of Wisconsin Press, 2000. [More information]
: Natural Dance, Dance photographs by Hal Eastman. Forward by Janice Ross. Boise, Idaho: Peregrine Images, 2003. [More information]
: Anna Halprin: Experience as Dance. Berkeley: University of California Press, 2007. [More information]
: San Francisco Ballet at Seventy-Five. San Francisco: Chronicle Books, 2007. [More information]

Lucia Ruprecht: Dances of the Self in Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine. Hampshire, England and Burlington, VT: Ashgate Publishing Company, 2006. [More information]

Nancy Lee Chalfa Ruyter: Reformers and Visionaries: The Americanization of the Art of Dance. New York: Dance Horizons, 1979. [More information]
The Cultivation of Body and Mind in Nineteenth-Century American Delsartism. Contributions to the Study of Music and Dance, no. 56. Westport, Conn.: Greenwood, 1999. [More information]

Lisa Jo Sagolla: The Girl Who Fell Down: A Biography of Joan McCracken. Boston, MA: Northeastern University Press, 2003. [More information]

Louis Scheeder: Coauthor, with Shane Ann Younts. All the Words on Stage: A Shakespeare Pronouncing Dictionary. Lyme, N.H.: Smith & Kraus, 2001. [More information]

Christena L. Schlundt

Tamiris: A Chronicle of Her Dance Career, 1927–1955. New York: New York Public Library, 1972. [More information]

French Court Dance and Dance Music: A Guide to Primary Source Writings, 1643–1789. Dance and Music Seris, no. 1. Stuyvesant, N.Y.: Pendragon Press, 1987. [More information]

Dance in the Musical Theatre: Jerome Robbins and His Peers, 1934–1965; A Guide. New York: Garland, 1989. [More information]

Daniel Nagrin: A Chronicle of His Professional Career. Berkeley and Los Angeles: University of California Press, 1997.

Barbara Sellers-Young

Breathing, Movement, Exploration. New York: Applause, 2001. [More information]

Teaching Personality with Gracefulness: Transmission of Japanese Cultural Values through Traditional Dance Theatre. Maryland: University Press of America, 2002. [More information]

Coeditor, with Anthony Shay. Belly Dance: Orientalism, Transnationalism, and Harem Fantasy. California: Mazda Press, 2005. [More information].

Anthony Shay

Choreophobia: Solo Improvised Dance in the Iranian World. Costa Mesa, CA: Mazda Publishers, 1999. [More information]

Choreographic Politics: State Folk Dance Ensembles, Representation and Power. Hanover and London : Wesleyan University Press, 2002. [More information]

Coeditor with Barbara Sellers-Young. Belly Dance: Orientalism, Transnationalism and Harem Fantasy. Costa Mesa, CA: Mazda Publishers, 2005. [More information]

Choreographing Identities: Ethnicity, Folk Dance, and Festival in North America.Ê Jefferson, NC: McFarland & Co., Publishers, 2006. [More information]

Editor. Balkan Dance: Essays on Characteristics, Performance and Teaching. Jefferson, NC: McFarland & Co, 2008. [More information]

Dancing Across Borders: The Americans Fascination with Exotic Dances. Jefferson, NC: McFarland & Co., 2008. Forthcoming. [More information]

Marcia B. Siegel

At the Vanishing Point: A Critic Looks at Dance. New York: E. P. Dutton, 1972. [More information]

Please Run on the Playground. Hartford: Connecticut Commission on the Arts, 1975.

Watching the Dance Go By. Boston: Houghton Mifflin, 1977. [a href="http://www.amazon.com/gp/product/0395251737/qid=1136923361/sr=1-1/ref=sr_1_1/002-3715464-0192060?s=books&v=glance&n=283155">More information]

The Shapes of Change: Images of American Dance. Boston: Houghton-Mifflin, 1979. Reprinted, Berkeley: University of California Press, 1985. [More information]

The Tail of the Dragon: New Dance 1976-1982. Durham, N.C.: Duke University Press, 1991. [More information]

Days on Earth: The Dance of Doris Humphrey. New Haven: Yale University Press, 1987. Reprinted, Durham, N.C.: Duke University Press, 1993. [More information]

Howling Near Heaven: Twyla Tharp and the Reinvention of Modern Dance. New York: St. Martin's Press, 2006. [More information]

Mirrors and Scrims: The Life and Afterlife of Ballet. Middletown, CT: Wesleyan University Press, 2010. [More information]

Deidre Sklar: Dancing with the Virgin: Body and Faith in the Fiesta of Tortugas, New Mexico. Berkeley and Los Angeles: University of California Press, 2001. [More information]

Susanna Sloat: Editor. Caribbean Dance from Abakuá to Zout: How Movement Shapes Identity. Gainesville, FL: University Press of Florida, 2002. [More information]

Editor. Making Caribbean Dance: Continuity and Creativity in Island Cultures. Gainesville: University Press of Florida, 2010. [More information]

Marian Smith: Ballet and Opera in the Age of "Giselle." Princeton, N.J.: Princeton University Press, 2000. [More information]

Janet M. Soares: Louis Horst: Musician in a Dancer's World. Durham and London: Duke University Press, 1994. [More information]; Martha Hill and the Making of American Dance. Middletown, CT: Wesleyan University Press, 2009. [More information]

Elizabeth Souritz

Soviet Choreographers in the 1920s. Translated from Russian by Lynn Visson and edited, with additional translation, by Sally Banes. Durham, N.C.: Duke University Press, 1990. [More information]

Carlo Blasis in Russia. Translated from Russian by Irene Huntoon; preface by Selma Jeanne Cohen. Studies in Dance History, vol. 4.2. Society of Dance History Scholars, 1993. [More information]

Ballet Master A. A. Gorski: Materials, Reminiscences, Articles (in Russian). Saint Petersburg: Dmitri Bulanin, 2000.

Debra Hickenlooper Sowell: The Christensen Brothers: An American Dance Epic. Choreography and Dance Studies, vol. 16. London: Harwood/Routledge , 1998. [More information]

Francis Sparshott: A Measured Pace: Toward a Philosophical Understanding of the Arts of Dance. Toronto Studies in Philosophy. University of Toronto Press, 1995. [More information]
The Future of Aesthetics: The 1996 Ryle Lectures. Toronto Studies in Philosophy. University of Toronto Press, 1998. [More information]

Barbara Sparti: Editor and translator. On the Practice or Art of Dancing, by Guglielmo Ebreo of Pesaro. Oxford: Clarendon Press, 1993. [More information]

Iris J. Stewart: Sacred Woman, Sacred Dance: Awakening Spirituality through Movement and Ritual. Rochester, Vt.: Inner Traditions International, 2000. [More information]

Julia Sutton: Translator and editor. Courtly Dance of the Renaissance: A New Translation and Edition of the "Nobiltà di Dame" (1600), by Fabritio Caroso. Music transcribed and edited by F. Marian Walker. New York: Dover, 1995. [More information]

Iro Valaskakis Tembeck: As Iro Tembeck. Dancing in Montreal: Seeds of a Choreographic History. Translated from the French and revised by the author. Studies in Dance History, vol. 5.2. Society of Dance History Scholars, 1994. [More information]
La danse comme paysage: Sources, traditions, innovations. Éditions de l'Institut Québécois de Recherche sur la Culture. Québec: Presses de l'Université Laval, 2002.

Karl Toepfer: Theatre, Aristocracy, and Pornocracy: The Orgy Calculus. New York: Performing Arts Journal Publications, 1991. [More information]
Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910–1935. Berkeley and Los Angeles: University of California Press, 1997. [More information]

Emiko Tokunaga
Yuriko, and American Japanese Dancer: To Wash in the Rain and Polish With the Wind. New York: Tokunaga Dance Co., 2008.

Linda J. Tomko: Dancing Class: Gender, Ethnicity, and Social Divides in American Dance, 1890–1920. Bloomington: Indiana University Press, 1999. [More information]

Iris Hsin-chun Tuan: Alternative Theater in Taiwan: Feminist and Intercultural Approaches. New York: Cambria Press, 2007. [More information]

Elisa Guzzo Vaccarino: Editor and Introduction. Biennale Danza catalogues. Venice: Biennale and Marsilio 2005: Body Attack; 2006: Under Skin; 2007: Body & Eros; 2008: Beauty.

Judy Van Zile

Dance in Africa, Asia, and thePacific: Selected Readings. New York: MSS Information Corp., 1976. [More information]

The Japanese Bon Dance in Hawaii. Drawings by Ellen Van Spyke. Kalilua, Hawaii: Press Pacifica, 1982. [More information]

Perspectives on Korean Dance. Hanover, N.H., and London: University Press of New England for Wesleyan University Press, 2001. [More information]

David Vaughan: Merce Cunningham: Fifty Years, Chronicle and Commentary, edited by Melissa Harris. New York: Aperture, 1997. [More information]
: Frederick Ashton and His Ballets. 2d ed. London: Dance Books Ltd., 1999. [More information]
: Merce Cunningham: Fifty Forward from Ocean to Ocean, director/media design by Anita Cheng and Ronaldo Kiel. New York: Merce Cunningham Foundation, 2005. (CD-ROM supplement to Merce Cunningham: Fifty Years, Chronicle and Commentary) [More information]
: Merce Cunningham/Fifty Forward/"from Ocean to Ocean." New York: Cunningham Dance Foundation, 2005. CD-ROM. [More information]

Patrizia Veroli

I Sakharoff, un mito della danza: Fra teatro e avanguardie artistiche. Bologna: Edizioni Bora, 1991. [More information]

Milloss: Un maestro della coreografia tra espressionismo e classicità. Lucca: Libreria Musicale Italiana, 1996. [More information]

Coauthor, with José Sasportes. Viaggio lungo cinque secoli. A volume in the series "La danza italiana." Rome: Bulzoni Editore, 1998.

Coauthor, with José Sasportes. 1900–1950: All ricerca dell’Ottocento perduto. A volume in the series "La danza italiana." Rome: Bulzoni Editore, 1999.

Baccanti e dive dell’aria: Donne, danza, e società in Italia, 1900–1945. Città di Castello: Casa Editrice Edimond, 2001.

La bella addormentata nel bosco, illustrated by Giuliano Ghelli, preface by Marina Nordera. Palermo: L'EPOS 2003.

Coauthor, with Augusto Traina. Gabriele D'Annunzio: Le immagini di un mito. Palermo: L'EPOS 2003.

Coeditor, with Inge Baxmann, Claire Rousier. Les Archives Internationales de la Danse 1931-1952. Pantin: Centre National de la Danse 2006.

Coauthor, with Debra Sowell, Madison Sowell, Francesca Falcone. Il balletto romantico. Tesori della Collezione Sowell. Palermo: L'EPOS 2007.

Coeditor, with Barbara Nomellini. Isadora Duncan: L'arte della danza. Palermo: L'EPOS, 2007.

Kariamu Welsh-Asante

Coeditor, with Molefi K. Sante. African Culture: The Rhythms of Unity. Westport, Conn.: Greenwood, 1989. [More information]

Editor. The African Aesthetic: Keeper of the Traditions. Westport, Conn.: Greenwood, 1994. [More information]

Editor. African Dance: An Artistic, Historical, and Philosophical Inquiry. Trenton, N.J.: Africa World Press, 1996. [More information]

Zimbabwe Dance: Rhythmic Forces, Ancestral Voices, and Aesthetic Analysis. Trenton, N.J.: Africa World Press, 1997. [More information]

Umfundalai: An African Dance Technique. Trenton, N.J.: Africa World Press, 2001. [More information]

Joan M. White: Editor. Twentieth-Century Dance in Britain: A History of Major Dance Companies in Britain. London: Dance Books Ltd., 1985. [More information]

David Wilson

D. R. Wilson, Domenico of Piacenza (Paris Bibliothèque Nationale, MS ital. 972), transcribed and edited, with an introduction, = Sources for Early Dance: Series 1, Fifteenth-Century Italy, 1. Cambridge: Early Dance Circle, 1988 (out of print; revised edition in preparation).

David Wilson, >i>101 Italian Dances (c.1450 - c.1510): a critical translation. Cambridge: National Resource Centre for Historical Dance, 1999.

David Wilson, Early Renaissance Dance c.1445 - c.1535: a brief guide to the sources. Cambridge: National Resource Centre for Historical Dance, 2003.

D. R. Wilson, The Steps used in Court Dancing in Fifteenth-Century Italy (third revised & enlarged edition). Cambridge: the author, 2003.

Helena Wulff: Ballet across Borders: Career and Culture in the World of Dancers. Oxford: Berg Publishers, 1999. [More information]
Dancing at the Crossroads: Memory and Mobility in Ireland. Oxford and New York: Berghahn Books, hb 2007, pb 2008. [More information]